Dark Country (2009), or Trouble In The Night Lands

22 12 2009

Note: This is my review for Dark Country that I wrote for 366 Weird Movies! Check them out at THIS LINK! for all the latest weirdness in cinema, as well as articles on some of the wildest imagery ever committed to celluloid! P.S.- Don’t give me any shit for doubling down on the same review! It’s still good, even though it’s previously used!)

DIRECTED BY: Thomas Jane

FEATURING: Thomas Jane, Ron Perlman, Laurie German

PLOT: Two blissful newlyweds, driving away from their splendid wedding in

Las Vegas, hit a man in the middle of the road. He lives, but the couple find he is not all that he seems, and are suddenly forced to take drastic measures against him.

WHY IT’S ON THE BORDERLINE: Dark Country is a bit obtuse at times, and it frustratingly delights fans of the obscure by not explaining its motives or workings very often, but I hesitate recommending mainly because it relies a little too heavily on genre standbys and noir reverence instead of blazing new fantastic territory. It is a 50s thriller/noir mixed with a modern horror, but it cannot create an identity of its own between its own stylings. There are moments of heavy cinematic distortion and interesting ideas that run through the story like a highway across the hungry desert, but it can’t quite escape some level of mediocrity as it bends prostrate for that which has already been done.

COMMENTS: Dark Country represents a promising debut effort from a director who is willing to try new things. What’s really impressive from the start is the writing. It is intense and full of good, genuine human touches that really helps the movie flow from scene to scene. From the first scene to the end, I felt rapt with attention to these immersive characters and their odd relationship, especially after the drive out of Las Vegas ensues.

It is a journey through dark and unforgiving territory, perhaps a metaphor for the new marriage between main characters Gina and Dick, who were just recently married and don’t really know what they’re in for. The young couple just made it official in Las Vegas, and are ready to make it home, but even before their fateful accident, things aren’t what they seem between the two. There is tension, there are incidents between the two that are hinted at, and the two have secrets from each other right off the bat. And after their encounter in the desert with the strange man they hit, things only get worse between the two. So, from an artistic standpoint, it can be commended as a smart thriller with some brains to back up its craziness.

Visually and tonally, it is an interesting feast for the eyes. Thomas Jane wants a very engrossing visual experience, but he is also on a budget here, so we are caught in a limbo of many special effects, but none of which really hit the mark in a spectacular way. The CG is a little on the cheap side (it looks like a violent episode of Reboot when they wreck the car near the end!), and the green screen is not very successful in melding the real and fake, but the color effects are interesting, not to mention plentiful, and we are treated to some good old fashioned camera trickery with some slick editing and some nifty shots.

But while it’s a solid debut for Jane, and an offbeat one at that, we’re still not treading any bold frontiers with Dark Country. This is a movie I have seen before, in bits and pieces. This is a story of intense psychological implications, a noir aesthetic, and the lush, frightening mysteries of the deep desert. It’s not anything breathtaking or unflinchingly bold. It’s a good and often disturbing take on some classic thriller ideas, and it has a twist in the story that will have you thinking on your toes for a while, but I wouldn’t consider this to be one of the weirdest movies I’d ever seen. With a good cast, a taut script, some interesting effects, and a more intelligent angle than your average thriller, Dark Country has a lot going for it. Just don’t expect it to be too weird, because you might be disappointed.

Cinematronica rating: 7 desert mysteries out of 10!

Stay tuned tomorrow for my take on Mark Wahlberg’s Invincible! Until then!

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